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12 Instance of Uncertain Spaces;

Our near future, whether or not we welcome it, is all about automation, artificial intelligence, smart infrastructure, urban intensification and climate change. Instance of Uncertain Spaces (IUS) was established in 2018 and is developing a new vector of enquiry through fundamental and applied research, which is complementary to ArtEZ Research & Outreach’s ‘in-between-ness as a space to occupy’.

IUS’ academic research and consulting has been bringing art and science-based methodologies together to investigate human-centric and technology-centric space, co-existence with machines and spatial ambiguity. The projects IUS has been involved with are diverse, including but not limited to: IUS collaborated with master’s modules at Media X Design Lab, École Polytechnique Fédérale Lausanne (EPFL) exploring the regeneration of a former inner city industrial district through new architectural typologies, modes of production and widespread use of drones entitled ‘Made in Glasgow’. IUS was the only external collaborator with the Department of Nuclear Science and Engineering, MIT designing concepts for a Future Energy and Advanced Technologies Campus in Japan. IUS’ interest in ‘Spatial Ambiguity,’ a recognition that non-cultural entities also shape our experience of the city, examining citizen perception of populated and unpopulated space led to an invitation from Singapore Institute of Technology (SIT) where IUS investigated the potential for virtual and physical interventions engaging with faculty, students and the wider community within the new Punggol Campus currently under construction. ‘Smart Interventions’ will form part of SIT’s forthcoming Virtual Campus.

IUS has been advising Ramboll, OMA and KCAP and others on the smart aspects of Industry 4.0, including the role that art can play in the development of AI and experiential space for masterplan proposals for city districts in Chengdu, Shenzhen and Singapore. IUS’s design with MIT for a Future Energy Campus was recently shortlisted for an award in the International Future Place category.

Website:: https://ius.artez.nl,
Connections—internal:: Academy of Art & Design Arnhem, AKI Academy of Art & Design Enschede, Master Interior Architecture (Corpo-real), Werkplaats Typografie,
Connections—external:: BCHO, Ecole Federal Polytechnic Lausanne (EPFL), Graduate School of Design Harvard, Instance, Massachusetts Institute of Technology (MIT), National University of Singapore (NUS), OMA, Ramboll, Singapore Institute of Technology (SIT),
Values—being:: Collective, Propositional,
Values—doing:: co-creating, collaborating, re-framing,

Practicing Possible Futures; Research, School, Platform; ArtEZ University of the Arts;

We begin with a question: What possible futures do we want to make? It is a question that raises uncertainty and provokes complexity. As practitioners in the arts, we practise occupying uncertainty and taking on complexity to create new possibilities. We want to use the power of possibilities to create new forms of expressing the future. As researchers in the arts, we strive to produce new ways of making sense of the future that we want to make together.

Futures have always been the realm of the unknown, subject to predictions and projections, fashions, and forecasts. However, the current state of emerging urgencies is also making them precarious—scarce, uneven, and not commonly available. At the same time, our global social, political, economic, human, and environmental resources face depletion. The need to make another future possible is apparent.

The clarion call for future-making has to be heard with caution. Overemphasis on the future as a resolution of contemporary crises abandons our responsibility for action in the present. Utopian visions of the future as a safe space can encourage the suspension of civil rights and liberties and even foster authoritarianism. The resignation to imminent threat can normalise apathy towards our collective well-being. These predetermined scripts for futurity reduce the future to a commodity and a finite resource.

And yet, deep in the heart of art is the capacity to create futures that are infinitely creative and chimerical, whimsical and wondrous. The ArtEZ Research Centre is premised on the foundational belief that art is a force of change and imagines new others—other worlds, ways, times, spaces, bodies, us—other futures. This capacity to imagine, visualise, formulate, and materialise the future, not just as a function of time, but as a possibility of collective hope, is what we call practice.

Practice is a continuous conversation that takes critical, aesthetic, and political positions. It is a dialogue generated by bringing together different needs, questions, opportunities, interests, knowledges, expertise, and processes to create possible futures. At ArtEZ, research in the arts is an articulation, analysis, and critique of the expression of resilience, equity, diversity, in the making of these futures. What kind of futures? Whose futures? Who do we make them with? Who are we when we step up to make them?

Research in the arts emphasises that these practices of possible futures are incomplete, just-begun, and in-the-making. They need a glossary of common values and a lexicon of methods to identify what we do and how. Simultaneously, it needs critical reflexivity that questions the foregrounding of certain voices and makes space for missing experiences, to unsettle our knowledge and create conditions for collective futures.

Practicing Possible Futures is a portfolio of research in the arts at ArtEZ that illustrates the capacity of our artistic expression to shape the world we live in, our commitment to imagine and expand the possibilities of collective intervention, and our role as researchers in the arts to bring forth futures worth fighting for.

Team Practicing Possible Futures—ArtEZ; Anniek Brattinga, Carin Rustema, John Johnston, Krista Jantowski, Leon Filter, Marie Trei, Nishant Shah, Vincent Zhong,
Text; Krista Jantowski, Leon Filter, Vincent Zhong,
Design Website; Dorothee Dähler, Simon Rüegg,
Development Website; Simon Rüegg,
Design Identity; Dorothee Dähler, Yeliz Secerli,
Last Update; 10/12/2020,

ArtEZ University of the Arts;
Onderlangs 9, 6812 CE Arnhem, the Netherlands;
Postbox 49, 6800 AA Arnhem, the Netherlands;

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